https://com395.omeka.chass.ncsu.edu/files/original/9f3144da512f76cb2e1a350f633874fd.jpg 0af2c0448c8fd9fd1f6e6f3020fc5094 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Motion Subject The topic of the resource Video, Film, Games Description An account of the resource This is a category that is a bit odd. We are looking at motion media pieces as designed objects. This requires thinking less about just the dialog and actors, and instead treating it's totality as designed experience. Creator An entity primarily responsible for making the resource Students of COM/ENG 395 Publisher An entity responsible for making the resource available Students of COM/ENG 385 Contributor An entity responsible for making contributions to the resource Students of COM/ENG 385 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "You" Subject The topic of the resource A screenshot from a Netflix series called "You" Description An account of the resource "You" is a show about an obsessed stalker named Joe Goldberg who "falls in love" deeply with the women that he meets. He spends the entirety of the show justifying his actions, which the audience gets to hear through his voice-over narration. This screenshot, taken in the last episode of the second season, is after a major reveal in which Joe's girlfriend turns the tables on him, and reveals that she has also done all the obsessive, crazy actions that he has done. This is the first time his reactions are reflected back at him and he is faced with the reality of his personality. What is interesting about the context of this Netflix series, and other shows made for streaming platforms, are the conventions of television that are held over despite the difference in medium. One such convention is leaving room for commercial breaks. Despite the fact that Netflix does not have commercials, it still is sectioned and organized by cuts to commercials. This specific screenshot is taken right after a climatic reveal, which on television would have warranted a break to allow the information and emotions of the audience to sink in. No separate form of storytelling has yet emerged - or, at least, has become popular - for telling television stories that are not organized around commercials. Creator An entity primarily responsible for making the resource Greg Berlanti and Sera Gamble Publisher An entity responsible for making the resource available Justice Thomas Date A point or period of time associated with an event in the lifecycle of the resource Feb. 9, 2020 Format The file format, physical medium, or dimensions of the resource Still image of a show Justice Thomas Netflix Television You