https://com395.omeka.chass.ncsu.edu/files/original/0d62d0e6b84cf527f71672233e2719ae.png 3dd026229b72ec46ea3c1924346cb8e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Motion Subject The topic of the resource Video, Film, Games Description An account of the resource This is a category that is a bit odd. We are looking at motion media pieces as designed objects. This requires thinking less about just the dialog and actors, and instead treating it's totality as designed experience. Creator An entity primarily responsible for making the resource Students of COM/ENG 395 Publisher An entity responsible for making the resource available Students of COM/ENG 385 Contributor An entity responsible for making contributions to the resource Students of COM/ENG 385 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Goodfella's Tracking Shot Subject The topic of the resource Motion Description An account of the resource This image is a still from the most famous scene in Martin Scorsese's Goodfellas. This scene is when Henry Hill takes his date through the back of the Copacabana nightclub to their table, bypassing the long line in the front of the club. According to the film's producer, Irwin Winkler, the scene "was a way to have Henry Hill not only impress his date, Karen, but to show the audience why the world of Goodfellas was so attractive and glamorous." I consider this scene to be a good example of motion because it is what's called a tracking shot. The scene was one long, continuous take that snaked through an entire night club as though you, too, were following Hill and his date. Scorsese could have broken up the shot, but he didn't to purposefully convey the allure of being mobbed up at that time. The Copa shot was neat because the audience was literally dropped in the middle of the action, and were expected to flow along. Creator An entity primarily responsible for making the resource Martin Scorsese Publisher An entity responsible for making the resource available Liz Risko Date A point or period of time associated with an event in the lifecycle of the resource 02/09/20